Daniel Avery – Ultra Truth
A fuzzy techno record for those who prefer the journey to the destination.
A fuzzy techno record for those who prefer the journey to the destination.
The soundtrack to party photos taken with a 20 year old point-and-shoot digital camera.
Finally! Something to really get lost in while double-priming the walls or building lego castles.
The 7th album from downtempo and dance music pioneer Simon Greene is a “meet people where they are” kind of record.
Repetitive to the point of hypnosis with enough complexity to keep those ears sipping.
A thorough study in “breaksy outbursts, ambientoid volutes and laser-guided swing-o-logy” whatever that all means. It’s dance music, to be sure.
Time is what inspired this record, and at just under an hour in length, it “weaves together themes of loss, hope, and acceptance” according to a recent presser.
There is nothing to complain about, really. No shift in moods. Everything is well here. Namaste.
The eagerly awaited 3rd album from Los Angeles group Poolside is a welcome trip to the tropics; so warm and wonderful!
Each of the three tracks is long form, industrial dub-like atmospheric music the artist has described as “Jordanian Descent”. Very unusual.
Pronounced “Trust”, The Destroyer – 2 is darkness done oh so well; an intriguing blend of 80’s new wave, modern electro and ambient layering.
Maybe Daniel Goldstein is one of the fastest rising American DJs of the melodic house genre. Brightest Lights, his third full length album in 6 years, is full of guest features from POLIÇA, Arctic Lake, Kauf, and Nevve.
As Lyft is to Uber, so is Yppah to the likes of Tycho, Bonobo or Emancipator.
This is 21st century disco music from Cerrone: one of the most influential artists of the original disco-era!
For the first time, the Montreal producer features additional production from multiple artists, including film composer Brian Reitzell (Lost In Translation), cello by London’s Oliver Coates, Clams Casino, vocals from Julianna Barwick, and rapper Cadence Weapon.
Experience some independent electronic music from across the pond with Motordisc 2, featuring tracks from Sascha Funke, Modular Project, Massimiliano Pagliara, and Concret & Cantor.
Remember the French musical duo Air? Well the second album from Air co-founder Nicolas Godin sounds very much like…. Air.
It’s techno. It’s drum n’ bass. It’s disco. It’s awesome!
Modell’s unique brand of techno murk rolls in hard like a snow squall and swirls with controlled chaos for 68 minutes.
Granted there is nothing technically “new” to this album, but hearing “Rival Dealer” alongside “Kindred” next to “Claustro” feels meant to be.
After riding the North American festival circuit from Coachella to Camp Bisco, Frameworks took a timeout to imagine gold.
Quantic remixes Quantic alongside Dan Shake, Sampology, Selva and Alfa Mist. Atlantic Modulations reshuffles the original, critically acclaimed release with house, electronica and jazz.
This emotionally evocative work is his best in years.
On this record, it’s no secret that the Danish art pop band romanticize the glory days of early 80’s new wave in Britain.
This album is for whatever is happening right now, a perfect soundtrack to nearly anything.
Nine Inch Nails keyboardist and accomplished solo artist Alessandro Cortini debuts on Mute with an assembly of filmy, subdued melodies on analog synthesizers and Ibanez guitars.
Sam Shepard gets down with some fancy sound machines and looks to pull listeners onto the dance floor with this double track release ahead of a new full length coming soon.
The ambient work really shines on this fourteen minute record as Burial ventures further into the void.
Both tracks feature Korean lyrics over looping piano melodies, and should be well received on any set list.
Sweet, safe, familiar retro lounge music filled with Latin flare and harmonious strings.